for dickensian orpha/past chava in round house's a hanukkah carol

 

"it’s the plucky Katrina Michaels who steals the show in a dual role as a fourth-wall-breaking Dickensian orphan and the younger version of Chava. During these affecting visions, Michaels expertly navigates Chava’s jump from endearing to insufferable as the character loses touch with her Jewish identity"

thomas floyd, washington post

 

"Katrina Michaels as Past Chava is a tour de force, carrying the heart of the story

daniella ignacio, DC Theatre arts

 

for francie in the arcola's no for an answer

  

"FRANCIE'S TOUCHING SONG BE WITH ME, BEAUTIFULLY DELIVERED BY KATRINA MICHAELS - andrew clements, GUARDIAN

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"JOE'S PARTNER, FRANCIE (KATRINA MICHAELS), SINGS A MOVING, TENDER SONG ABOUT HER LOVE FOR HIM, WHICH WAS THE STANDOUT SOLO OF THE NIGHT"

 

For Margaret/Dogberry in Much Ado 

 

"Katrina Michaels stole the show as Margaret, and also as the bumbling night watch leader Dogberry. She had clearly mastered the balance between the heightened energy needed for an outdoor performance while keeping true to the characters she was playing. She was hilarious as Dogberry and had a clear and pure singing voice to boot."

- SRABENI SEN, LONDONPUBTHEATRES

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"Performances are energised and eloquent, with Katrina Michaels delivering a stand-out take on Margaret; Michaels’ confidence and clarity never waver, and she brings some real zest."

- DAISY GAME, EVERYTHINGTHEATRE

 

"The viewers were immediately drawn into proceedings... by the infectiously endearing Katrina Michaels, as Margaret, and Will Beynon (Borachio). This pair truly stitched the show together with their amazing vocal talents and musicianship, as well as brilliant acting."

- andy hubbert, lincolnshire world

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"michaels is a fine actor muso who projects oodles of sexy personality.... and michaels, who really is very talented, is hilarious when she doubles as the constable"

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for molly aster in peter and the starcatcher

 

“She is a delightful mix of fearlessness and naiveté. Her magnetic charisma and the ever-present sparkle in her eye are undoubtedly two of the show's strongest assets” 

- Matt Tamanini, BROADWAYWORLD

 

“Katrina Michaels loads spunk, sweetness and a disarming genuineness to her role of Molly Aster”

- Pam Harbaugh, BREVARD CULTURE

 

“It's Katrina Michaels' Molly who becomes the most interesting character as she navigates budding adulthood, following her heart and stepping out of her father's protective shadow. Michaels' spirited and touching performance is what gives this merriment its heart.”

- Matthew J Palm, ORLANDO SENTINEL

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"Petite and winsome, Michaels lights up the stage with her crackling energy, sparking each scene with sass and savvy, keeping the energy up and the storyline moving forward.  She's a treat to watch"

- Michael J. Curtiss, Caught in the act​

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for offie-winning la maupin

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"The music is performed by the incredibly talented cast of five, Frida Rodbroe, Katrina Michaels, Megan Armitage, Olivia Thompson and Olivia Warren.) Between them they play a variety of instruments; violin, accordion, flute, harmonica, ukulele, even a kazoo makes an appearance, amusingly as a cigarette at one point...It is, at times, a joyful racket, whilst at others, intimate and delicate. It is simply fantastic to watch them perform, play and sing."

- rob warren, everythingtheatre

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"And she’s gathered a brilliant company around Rødbroe. Olivia Warren, Megan Armitage, Katrina Michaels and Thompson herself form an exceptional ensemble, flowing in and out of supporting roles and their tangled, varied emotional connections to La Maupin, playing multiple instruments with real skill, and also handling the proximity to the audience well... I’ve already booked to go again and you’d be wise to book as well. If I have anything to do with it (and even if I don’t), I strongly suspect this is far from the last we will hear of this fantastic new British musical."

- thereoughttobeclowns

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"The other four actors step seamlessly between roles – among many highlights are Olivia Warren as the bawdy Comte d’Albert, Julie’s antagonist turned lover, and Katrina Michaels as her lecherous “protector”, the Comte d’Armagnac."

-theblogoftheatrethings

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for viola in twelfth night

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 "Katrina Michaels is a standout, full of energy and passion"

- nancy burns-fusaro, westerly sun

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for pinkie in hoi polloi

Pinkie, is played with sweet feistiness by Katrina Michaels, who sings like a lark."

-peter haas, theaterpizzazz​

 

for a cabaret performance at 54 below

Katrina Michaels walked away with [the show] doing a truly hilarious take on “Miller’s Son”… It was really quite an astonishing performance that showed a polish that quite belied her years. She pantomimed out the entire song at blinding speed, which – combined with her wonderfully animated expressions and excellent singing – was a pure Dickensian delight”.

- Susie Mosher (54 Below Host), NY DAILY NEWS ​

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for ruth in tribes

 

“Katrina Michaels whiplashes from petulant to pathologically pretentious”

- Chris Silk, NAPLES DAILY NEWS​

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for fraulein kost in cabaret

 

“Katrina Michaels luxuriates in the brazenness of Fraulein Kost”

- Christine Dolan, MIAMI HERALD

 

“Katrina Michaels is exceptional as Fraulein Kost, who employs whimsy and wry charm to give her character of a prostitute some real oomph.”

- Dale King, PALM BEACH ARTS PAPER